Tribalism

In my review of Ulysses I referred to it being a tribal book. By that I meant that one’s membership of a certain type of literary tribe is indicated by one’s opinion on it.
If you follow this link, it will lead you to page on the BBC, where Ulysses is discussed by all comers, after a brief and humorous summary of the book. The first respondent is Stephen Fry, the well-known polymath, who seems to suggest, in quite shrill prose, that those who criticise the book are ‘childish’ and ‘fear-filled’, and that Ulysses will be read ‘when all around us has crumbled into dust’.
Other responses declare it to be a pile of pretentious rubbish.
I can’t help feeling that the truth is rather more complicated, and the polarity of opinions does no service to the book, literature, or the truth in general.
I now realise how hard it was for me to read the book with an open mind, when sub-consciously, I was trying to decide which tribe I belonged to. I can remember having met so many irritating people, who, finding out that you had not read Ulysses, would feel they could play a conversational ace by spouting vaguely about its wonderfulness. Both Shakespeare and Dickens also suffer from the shrill praise of their champions, which serves to alienate much more than to include. And don’t get me started on the Ancient Greeks.
It is only now, some days after finishing Ulysses, that I feel I can start to really think about the book, and not all the hoopla that surrounds it.
This sort of tribalism has leached into so many areas of life. I am sure it varies from place to place, from tribe to tribe. They are these beacons which help others to place us in a social context. What car do you drive? Where do you go on holiday? ‘Florida? I’m sure its lovely – of course we ADORE Tuscany…’ What music do you listen to, what books do you read. And by adopting a tribal totem for yourself, people assume you adhere to all the other totems of that tribe, and reject the totems of the other tribes.

The price of admission into a tribe is conformity, but the rejection of all of the totems of that tribe is conformity too, because you become an opposite, instead of yourself. And, eventually, just taking things on their own terms takes a great deal of willpower.

Review: Ulysses by James Joyce

Get it here.

Well – has the emperor got new clothes, or no clothes? I don’t know. Perhaps its a skintight bodystocking.

Its hard to read this book with an open mind. It has become such a tribal piece of literature that it seems that you can either claim it as the greatest novel in history, or a pretentious pile of rubbish, and nothing in between.

I tried reading it a few times, but always failed. I thought it was because I had insufficient knowledge in the classics, so went away to read Homer – about twenty years ago. I found Homer to be far better than anything else I had ever read – awesome and moving, and, if you read a good translation (Richmond Lattimore), as accessible as you like.

But knowing Homer provides very little insight into Ulysses; that seems to be just another blind alley. In fact, there are far more parallels to be found between Joyce’s own life. And that is my reading of the book. There is not a plot, really. Each of the 18 episodes would work as a short story, and could very easily fit into ‘Dubliners’ if written in a more conventional style. But Joyce mimics a cavalcade of styles, expertly, it must be said, and by the end, as with every schoolboy impersonator, you just wish he would shut up and get on with it.

And ultimately, all it adds up to is Joyce saying: ‘I am a genius, but would never be acknowledged as such in Dublin. So I’m going. If I stay, I will end up like Bloom’ and a few years later writing a book about what a parochial little place Dublin was, and what a genius he still is. That Dublin only has significance to the world, because he lived there.

A few points. This is not an entertaining book, in places it is downright dull. It is deliberately obscure and arbitrary in (large) places. However, through the curtain of obscurity, deliberate puzzles and misleading themes, there are moments of truly lovely writing. But Joyce was brutal on himself, on his characters, and on his readers, and seems to have no wish to entertain – he is doing far more important things; creating an encyclopedia of Dublin.

So, ultimately a frustrating book, which I am glad that I read. But, as Joyce never returned to Dublin, I will not return to Ulysses.

Next: Scaramouche by Sabatini. Read by the great Gordon Mackenzie. It’s like coming home…

Starting Ulysses

I wanted to start Ulysses on Bloomsday, to give me an added incentive to read a book I have attempted so many times before. The whole book was only just ready in time, so I downloaded the first chapter from the forum page, to have something to be getting on with.
I had some chores to do on the Sunday, so I got my iPod, and started listening. It was strange, really. The first chapter is recorded in a pub, it seems, with loads of background noise, and with the book being passed between various people, some of whom take the whole thing more seriously than others.
My first reaction was disappointment, and to turn off the recording, and read it properly: I felt the readers were not showing enough respect to such a complex work, and one with which I needed all the help I could get. So I did turn it off, and read it from my old paperback copy.
When I set off to work the next day, however, I still only had the first chapter on my iPod. So I decided to listen to chapter one again. And this time, I realised one of the biggest problems I had with it in the past was that is was SUCH a rite-of-passage type literary monument, that I gave it TOO MUCH respect. I always wanted to understand every word. Reading the book myself, I was transported back to being nineteen and confused, disappointed with myself for being so baffled. Having it read by a bunch of chuckling rugby players (just a guess, there) made me realise: It’s Just A Book. Thats All. Just Read It.
Don’t expect to get every reference to the Roman Catholic sacrament, or Irish street songs. Get what you can from it, and move on. This is not a test.
So – thanks, rugby guys, who I am sure would find such soul-searching hilarious.