Winesburg, Ohio by Sherwood Anderson

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I recorded a couple of chapters of this, so was quite keen to hear the rest of it when it was finished. I was very impressed with what I had read, and was even more impressed with the whole thing.
This is a novel, in that there are some connecting characters, but really, its a collection of short stories. They all concern themselves with the life or history of one resident of the fictional town in the title, each of whom has his or her internal life revealed in merciless detail.
Each character seems to be trying to say something, striving to find the words to express their experience of life, or their love, or to connect with another person, but is always unable to make him or herself understood. And this isolation makes the words and deeds of the characters seem strange and eccentric. They all live in a small community, the rural sort which is often presented to us as an ideal, and which all the sane ones seem to want to leave.
This is not the point, though. The author himself is telling us that he is one of the people who cannot quite find a way to express exactly what he means. The stories rise up gently and then fall away, unresolved, often with a melancholy air – they seem to be leading somewhere, but ultimately we are left with more questions than answers, with suggestions of the great sadness that lives just below the surface of so many lives that seem to us so unremarkable,
The only false note in the work, for me, is the long central story ‘Godliness’, where the author seems to be trying too hard to point a moral. But even here, his skill makes every line worth savouring. William Faulkner seems to have borrowed his technique of defining things in terms of what they are not – a wonderful way of suggesting without stating. Anderson’s style is much more spare though. At times he reminded me of Samuel Beckett.
I had never heard of Sherwood Anderson before, but am delighted to have found him. I will certainly be reading more. If my review makes you wonder whether he is your cup of tea, may I recommend that you start with the chapter called ‘Tandy’, which, in its few paragraphs, will tell you all you need to know.

Next: Daisy Miller by Henry James

Review: Lady Susan by Jane Austen

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I am a big Jane Austen fan, but have never read this novella for some reason – perhaps I have always regarded it as a piece of juvenilia. It is fair to consider this an immature work, compared with her later novels, but an immature Jane Austen is still worth ten ordinary novelists at the height of their powers.
The ‘Lady Susan’ of the title is that rarest of creatures in Jane Austen: a completely evil character, whose only redeeming feature is that she is so funny. Elizabeth Bennet could have written this book, before she realised that there are two sides to every story. Also, she seems to have thought that marrying for the greater good of the family was perfectly acceptable, an attitude I have always noted in her later books as well. Hollywood prefers her romances to be all about the heart, but I suspect that Jane’s readers took as much satisfaction in the neat financial arrangements, as in the couple being a willing match. Then again, I suppose Hollywood likes its modern heroes to have a healthy degree of financial independence as well, so perhaps nothing has changed.

This audiobook has a big advantage over the original text: it was written as a series of letters, and when I read such a book, I am always having to remind myself who is writing to who. With one voice for each correspondent, however, this recording has real added value, and frees you up to enjoy the story. Great idea!

Review: An International Episode by Henry James

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In ‘Something New’ Wodehouse has Joan Valentine, the female writer,
say of the magazine she works for:

‘It’s a horrid little paper–all brown-paper patterns and advice to the
lovelorn and puzzles. I do a short story for it every week, under
various names. A duke or an earl goes with each story.’

One week, I suspect she chose the pen name ‘Henry James’.

This story features the son of a duke, and seems to want to
justify its existence by reflecting on the difference between
English and American Society.

Really, though, its just a romantic yarn, with a will-they-won’t-they
conclusion. Seeing that in Washington Square, Mr James would
not allow his lovers any satisfaction, he denies it them here as well.

And he repeats the idea of having the female lover be sincere but naive
and be advised by a cold cynical type, who treats the romantic
happiness of her younger charge as subsidiary to her own triumphs.

One wonders if a pattern is emerging here. Was Mr James a roaring hit
at parties? Did he have a fine line in comic songs?

Still, he certainly writes fantastic dialogue, but he does make you wait for it.
There are two conversations in this piece that justify the price of admission,
so to speak, but the rest is perhaps best read as a companion piece to Washington
Square.

Next: Lady Susan, by Jane Austen

Review: Something New by P G Wodehouse

I saw a video of a Rube Goldberg machine the other day, (called a Heath Robinson contraption in this part of the world), and was reminded of the plots of P G Wodehouse. Perhaps it was the other way around. Anyway, bear with me.
The point is, there are number of objects, the behaviour of which is perfectly understood, and is unremarkable. A marble, or a domino, say. And these objects are put together in an absurd and amusing way. A marble rolls, a domino falls over, exactly according to its nature, but the sum of these mundane and predictable acts creates a symphony of movement, leading inevitably to a predictable conclusion. But the destination is the least important part of the process. The journey is what makes it all worthwhile. And the more circuitous and torturous the route, the more wonderful the machine is.

And in this one, P G turns philosopher at the end: “Life is nothing but a mutual aid association.” he declares, and I couldn’t agree more. So thanks to Debra Lynn for making this recording, and adding to the great mutual aid society that is LibriVox.

Next: An International Episode by Henry James

Review: Room with a View by E M Forster

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I saw the film based on this book back in 1988, when I was 20 years old. Perhaps you remember it: Julian Sands got to plant the most romantic kiss in history on Helena Bonham-Carter. The fact that Julian’s career didn’t quite reach the highest of heights may well be put down to the fact that a generation of young men with floppy fringes envy him with all their souls.
So I was quite keen to dive into the book, especially as I had a cast of characters in period costume lined up in my head. And what a treat it is.
Firstly, its very funny. Secondly, its very wise. Thirdly, it is much more to do with snobbery and class divisions than I expected. Everyone in the film looks roughly equal – something the book makes clear is not the case.
The plot is simple enough – a love triangle between the free thinking George Emerson, the priggish aesthete Cecil, and the lovely Lucy, who is torn between the conventional choices of her upbringing, and the incomprehensible yearnings of her soul.
The horror for me is realising that at age 20, when I thought George Emerson was the coolest man alive, I was actually doing a fairly good approximation of Cecil, who can only appreciate virtues in objects, and not in people – except by treating them as objects.
The emancipation of women is an implicit theme, and it is jarring to realise how little some attitudes have changed since 1908, when this book was written. George’s wish for his wife to have her own mind will not be shared with every modern bridgegroom. The weaknesses of the book derive from Mr Forsters attempts to layer the story with a Renaissance vs Gothic theme, and a very Cecil-like summary of the competing merits of Beethoven and Schumann.

This is read by Kara Shallenberg, AKA Kayray, who is an unstoppable force of positivity in all her Librivoxian dealings. Her sunny, warm voice brings the whole work to life, and seems especially alive to the many comic episodes. In the years to come, when they sing folk songs about her (and they will), they may well mention this reading as a keeper.

Review: Scaramouche by Rafael Sabatini

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A very entertaining romp – which starts slowly, and builds up to a great conclusion. I had expected a light, sword-play filled pot-boiler, and was quite surprised when the first few chapters seemed to suggest a philosophical novel, pondering the nature of political power.
This deeper aspect reappears at odd moments in the book, but its mostly romance, swords and intrigue after that. The hero of the novel is a kind of eighteenth century James Bond, capable of tossing off sarcastic jibes whilst duelling like a master, and turning a ragtag group of travelling players into the toast of the town in a few weeks.
And great fun it is too, especially with its great series of twists towards the end, when the pace really hots up.
The author seems to have only learned English rather late in life, and made it the sixth language that he spoke fluently, which makes we wonder if he based the supremely competent hero of this novel on himself.

This is read by Gordon Mackenzie, which means that every ounce of drama and tension is converted into pure audio gold. A real masterpiece and a delight. I would expect the he is the LibriVox reader that all male volunteers secretly wish that they sounded like. Speaking for myself, however, I am pleased that there are readers at the other end of the spectrum – if everyone sounded like Gordon I would never have dared to volunteer. Still, as Gordon reads in his recording of Walden, a man’s reach should exceed his grasp.

Review: Ulysses by James Joyce

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Well – has the emperor got new clothes, or no clothes? I don’t know. Perhaps its a skintight bodystocking.

Its hard to read this book with an open mind. It has become such a tribal piece of literature that it seems that you can either claim it as the greatest novel in history, or a pretentious pile of rubbish, and nothing in between.

I tried reading it a few times, but always failed. I thought it was because I had insufficient knowledge in the classics, so went away to read Homer – about twenty years ago. I found Homer to be far better than anything else I had ever read – awesome and moving, and, if you read a good translation (Richmond Lattimore), as accessible as you like.

But knowing Homer provides very little insight into Ulysses; that seems to be just another blind alley. In fact, there are far more parallels to be found between Joyce’s own life. And that is my reading of the book. There is not a plot, really. Each of the 18 episodes would work as a short story, and could very easily fit into ‘Dubliners’ if written in a more conventional style. But Joyce mimics a cavalcade of styles, expertly, it must be said, and by the end, as with every schoolboy impersonator, you just wish he would shut up and get on with it.

And ultimately, all it adds up to is Joyce saying: ‘I am a genius, but would never be acknowledged as such in Dublin. So I’m going. If I stay, I will end up like Bloom’ and a few years later writing a book about what a parochial little place Dublin was, and what a genius he still is. That Dublin only has significance to the world, because he lived there.

A few points. This is not an entertaining book, in places it is downright dull. It is deliberately obscure and arbitrary in (large) places. However, through the curtain of obscurity, deliberate puzzles and misleading themes, there are moments of truly lovely writing. But Joyce was brutal on himself, on his characters, and on his readers, and seems to have no wish to entertain – he is doing far more important things; creating an encyclopedia of Dublin.

So, ultimately a frustrating book, which I am glad that I read. But, as Joyce never returned to Dublin, I will not return to Ulysses.

Next: Scaramouche by Sabatini. Read by the great Gordon Mackenzie. It’s like coming home…

Review: Whose Body? by Dorothy L Sayers

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A real surprise. I expected Agatha Christie, and got P G Wodehouse with added death. Very funny in places, and written with the touch of an angel. And all the clues are there, if you want to solve the riddle yourself. But there is a lot going on besides the mystery, including a very post-modern series of references to the short-comings of detective fiction. There is some very out-of-date anti-semitism on show from some of the characters, which I hope dates the book, but other than that it is a fresh, interesting piece, with deeper themes which would reward deeper analysis. Sayers was a Dante scholar of renown, and a theologian also, so I doubt she wrote much without a purpose.

Review: Sarrasine by Honore de Balzac

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A can’t really give a brief outline of the plot without giving it all away – and a great deal of the effect of the story derives from the surprise ending.
I have read some Balzac, but had forgotten how beautifully he writes – he can take a long time to get to the point, and you just don’t care.
This solo is read by ChipDoc, a librivox stalwart, who has read many chapters in other works, and he has a wonderful reading voice. Do yourself a favour: download this book and listen to it. It is shocking, funny, thought provoking and read by a man with a voice that conjours up visions of a book lined study, late at night, after a few glasses of fine brandy. He puts down his cigar and tells you a fantastic story, that you only half believe. But I bet you don’t forget it.

Next: Whose Body by Dorothy L Sayers, read by my near namesake Kristin Hughes, and the incomparable Kayray. Yay! I plan to finish this by Bloomsday, so that I start another assault on Mt. Ulysses, this time from the South Face.

Review: Washington Square by Henry James

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At first I was fairly sure I would not enjoy this book. It starts slowly, but I could not work out why – Mr James writes very well, but I felt it lacked something. At the start of chapter four I realised what it was: dialogue. Because when it starts, things really start moving, and such great dialogue it is.
The plot concerns a young women, who is prevented from marrying her lover, due to the opposition of her father. The fact that her father’s misgivings are entirely justified is what gives the book its potency: father and daughter are locked in a delicate battle that neither can win. In fact, the conclusion of the plot reveals how similar they both are at core, despite being told the opposite several times: both have had an awful experience of loss, from which neither can ever recover. The lady’s aunt supplies the comic relief, and she is great value.
I have seen this novel compared to Jane Austen elsewhere, and there are similarities – at one stage the book felt like Pride and Prejudice with Jane Bennet as the heroine. However, the book overall lacks one of Austen’s great virtues: she cares for all the characters in her books, most probably because she was related to them herself, and could see their strengths and weaknesses co-mingled. Henry James sometimes seems to be looking at his creations like a biologist peering down a microscope.

This audiobook was a solo recording by Dawn Murphy, who brings a warm and friendly voice to the novel, and was an absolute pleasure to listen to.